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Contents:
  1. Go Cozy Mystery Crazy!
  2. NPR Choice page
  3. Lord Peter Wimsey Books in Order:
  4. The Lost World of Richard Yates

Ngaio left the manuscript of A Man Lay Dead behind in London with a literary agent named Edmund Cork that summer in the hope that he might be able to find a publisher for it and took the long boat back to New Zealand, where her mother was seriously ill with cancer. Ngaio got back in August, and her mother died in November, no doubt pushing any thoughts of Roderick Alleyn and his adventures out of her mind.

Laid low by grief and convinced of the need to stay in Christchurch to be with her now retired and widowed father, Ngaio put any further travel to Britain on hold. But although she herself might be staying in New Zealand for the foreseeable future, Ngaio had left a little piece of herself behind in London in the form of her first detective novel, and from henceforth she would live a divided kind of life, split between the north and south hemispheres, and her public and private selves.

In it, the beloved Belgian sleuth returns home from lunch one day to find an angry woman waiting outside, demanding to know why Poirot has sent her a letter accusing her of the murder of a Barnabas Pandy, a man neither of them have ever heard of or met. As The Mystery of Three Quarters continues, it turns out that other letters like this have been sent too.

The Mystery of Three Quarters is available now in paperback, ebook and audiobook, so get your copy now. You can also enter a competition to win your very own copy of The Mystery of Three Quarters — just send a quick email to competition audioboom. The fourth Queen of Crime had arrived. But even as her writing career developed and flourished, Ngaio Marsh would always feel pulled between two worlds.

Joanne: I think she had a split life really she lived in two places.


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And I think that gave her also a certain amount of she could be one person one sort of person in one place and another person in another place. So I think New Zealanders knew a very different Ngaio Marsh to the one that she presented publicly in the UK and then you know I mean she was very ravishing and chic and quite down to earth and New Zealand where that was much more you know the thing to be.

But I think it was fascinating that she managed to also make that shift in her writing because most of her writing really was intended I think to satisfy the genre that was shaped. Caroline: In a way, Ngaio Marsh was a chameleon: she could be whatever the situation required of her. Joanne: So she fitted in there with you know Christie, Sayers, Allingham, Tey, very well but she also had she could actually turn the genre into a New Zealand story as well.

Go Cozy Mystery Crazy!

In that period of that period with all the same kind of cosy intensity almost village like intensity, but it had that real New Zealand flavour. Using that same genre which is amazing. And it was special to have here among that you know the kind of pantheon really of great writers of the genre and do that and achieve that from New Zealand which was much more difficult. She travelled back to London every so often too, and each time she said she felt refreshed and renewed, and felt she had to start writing again as soon as she arrived.

In , she experienced something very rare for a writer of any kind, when one million copies of her books were issued into the international market in the same year — , copies each of ten different novels. Over the years, as a result of this closeness, there have been many suggestions that Ngaio Marsh was a lesbian, or at least not completely heterosexual.

She was very careful about cleaning out behind her. And it depends on how you define lesbianism with you. So I could never guarantee that I match sleep with other women but what I can guarantee is that her most significant friends were women right.

NPR Choice page

Joanne: And you know I think I think there were there were people that often often traveled with her sometimes not not not when it was it was actually almost secretly they traveled with her overseas. But she kept. You know she played her cards very close to a chest. Caroline: She even had one particular friend who lived right next door to the Marsh family home in Cashmere.

Lord Peter Wimsey Books in Order:

Joanne: She had a very close friend called Sylvia Fox who eventually moved into the house behind her. There was a hedge with a connecting hole. Caroline: For a long time, Joanne says, Ngaio Marsh was just written off as the classic spinster author, who lived out her days alone. As well as being a prolific detective author, she was a keen painter and a revered theatre director who did a huge amount to establish and develop the theatrical tradition and profession in New Zealand.

I find her endlessly fascinating. Like all the best detective novelists, she kept her secrets very, very well. This episode of Shedunnit was written, narrated, and produced by me, Caroline Crampton. There, you can also read a full transcript. The sharp-eared among you will have noticed that for the very first time, this episode had advertising on it!

The Case of the Perfect Maid by Agatha Christie

Truly, this podcast is growing up and finding its place in the world. By any definition, the New Zealand crime writer Ngaio Marsh lived an extraordinary life. But who was she really, this globetrotting blockbuster author who divided her life between opposite sides of the world? Find more information about my guest Joanne Drayton and links to the books discussed at shedunnitshow. Caroline: Writing is a solitary pastime. To invent the characters and stories that readers love, most authors have to lock themselves away from the world, avoiding company and interruptions until the blank page is filled.

Not everyone wants to spend all their time hunched over their work, though, and the writers of detective fiction in the s were no different. Anthony Berkeley, the creator of the sleuth Roger Sheringham, began organising regular dinners for his fellow detective authors in This gathering eventually evolved into a more formal organisation called the Detection Club, which numbered Dorothy L. They dined together, they drank together, and sometimes, they wrote together. What happens when a dozen writers work together on the same plot? Welcome to Shedunnit. Is it possible to construct a compelling whodunnit this way, or is it the case that too many cooks spoil the broth?

In sport, the phrase denotes a tournament in which each competitor plays all of the others, and in computing it refers to a kind of algorithm used to schedule processes in a sequential and equitable fashion. For our purposes, the most relevant point of origin comes from the practice of creating round robin petitions in the 18th century. These were often contentious political statements or controversial demands, so all the signatories would write their names in a big circle at the bottom of the document so no one person appeared at the top and therefore it was harder to punish an individual for the action of the group.

There was precedence in the crime and thriller arena too. Arthur Conan Doyle, the creator of Sherlock Holmes and in whose shadow all the detection novelists of the 20th century worked, was one of 24 authors who wrote sections of an collaborative novel called The Fate of Fenella, alongside Bram Stoker, Frances Eleanor Trollope and Florence Marryat. In the last few decades, the practice has found a new home, with fan communities on forums or email lists writing fanfiction this way. The members of the Detection Club first became involved in constructing round robin stories through broadcasting, rather than publishing.

The BBC had been founded in London in and was in search of compelling speech programmes to get new listeners to tune in.


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  8. Bentley and Roland Knox — about creating a round robin detective story for the radio. Every Saturday evening for six weeks each author would deliver their part of the story live on air, and it would then be published a few days later in The Listener magazine. Then at the end of the run the audience would be invited to write in with their solutions to the mystery in the form of answers to three questions about the plot, and a winner would be chosen from those who got closest to who actually dunnit. Sayers managed the whole project, keeping in touch with her fellow authors and also the editors at the BBC about their progress.

    Walpole, who was to go first, circulated a synopsis for the whole story too so that they all had an idea of the sphere in which they were working. The story that resulted from this process, Behind the Screen, was a success with listeners who heard it on the radio in June and July , despite the behind the scenes anxieties. Walpole sets the scene with some exciting, fast-paced writing, describing how a young medical student called Wilfred Hope discovers the body of the mysterious lodger, Mr Dudden, fatally wounded in the neck and spouting blood behind the Japanese screen in the drawing room.

    Christie follows on with a chapter mostly composed of dialogue, and she brings the characters to life through their speech in the aftermath of the discovery. Then comes Sayers, who with characteristic precision looks at the weapon, the bloodstains, and the beginnings of the police investigation. Anthony Berkeley and E.

    Bentley bring in more clues and characters, building sometimes haphazardly on what went before, and then finally Ronald Knox winds the whole thing up to its startling conclusion. The Body in the Attic. Judi Lynn. The Silver Gun. Jeffrey M.

    The Lost World of Richard Yates

    The Battered Badge. Robert Goldsborough. Bunburry - Murder at the Mousetrap. Helena Marchmont. Annie Haynes. The Miss Seeton Series: Books Heron Carvic. The Complete Miss Marple Collection. Flowers for the Judge. Rex Stout. A Deceptive Devotion. Iona Whishaw. Death of a Dean. Hazel Holt. The Killing at Kaldaire House. Kate Parker. Lia Anderson Dog Park Mysteries. One Potato, Two Potato, Dead. Lynn Cahoon.